该剧是一部揭露济州岛隐藏秘密的作品，主要讲述了长期寻找机会为了消灭人类世界的妖怪们把出现在济州岛的财阀家继承女当作猎物，以及保护她的蒙面妖怪猎人的故事。
抗日战争时期，一匹叫飞飞的白马在战场上为了救负伤的主人骑兵军官戚念兵，毅然引开搜捕的敌骑兵而不幸被俘。敌人至终都未能训服飞飞，最后飞飞绝食而亡。
平凡小镇流传千年古墓传说，墓中不仅珍宝无数，还藏有可治百病的秘药，然众多摸金人探寻都不知去处，无人归来。摸金校尉后人曹顺（王珞嘉 饰）赶鸭子上架误打误撞跌入古墓。这个墓有点东西，这么大的镇墓神兽是真的存在的吗？
在金枪大赛上荣获冠军的尹名扬（吕颂贤饰）与同窗好友方正一同追查炳爷等人的犯罪证据，结果遭遇身手敏捷的女杀手，阿正右手中抢伤残，阿扬则被蒙面人枪杀身亡。在此之后，阿扬的弟弟尹平安（吕颂贤饰）受调归国，进入兄长生前所在的部门。在一次执行任务时，他遇到女杀手陈小明（万绮雯饰），她正是打伤阿正的凶手。与阿扬相貌相似的阿安令小明心有所动，而阿安也为眼前的女孩所倾倒。不久，重振信心的阿正返回警局，和枪房的杨近东（秦沛饰）一同训练阿安，加上接连不断的突发事件，阿安的枪技突飞猛进。随着时间的推移，阿安和小明这对警匪的爱情也在周折中发展。与此同时，枪杀阿扬的蒙面人也渐渐浮出水面，一场恩怨终有了断……
民国时期的大上海……阿宝，一个高级小骗子。阿满，为了混口饭，不得已做了阿宝的跟班。为了混两口饭，阿宝高兴的带着阿满做起了冒名神探。天上掉下大案子，阿满高兴之际却又震惊了——自己暗恋的女神，歌女林雨烟疑似落入“少女狂魔”手中！阿宝急了，慌了，决定奋不顾身了。小骗子决定要做真神探，找回女神！于是，阿宝拉起被他忽悠的正义感爆棚的阿满开始查案，囧探双人组正式出击！两人无头苍蝇式的查案方式惹了斧头帮，恼了缉私队，绑了真警探，搅乱了大上海，忙慌了江湖人。在一番鸡飞狗跳有惊无险之后，不仅大破“少女狂魔”案，还历尽千辛万苦找到了女神。然而，真相，却不是那么简单……
珠梦想成为一名整形外科专家，她是一名护士。晚上，她是彩蝶，靠做电话情人赚钱来为她父亲的治病。
故事发生在二十世纪年是年代的美国，乔伊（约翰·哈克斯 John Hawkes 饰）是一名在业内小有名气的音乐家。同时亦是一名身陷麻烦与困境之中的瘾君子。舞台上的乔伊自信而又热情，尽情挥洒着人格魅力，可是在舞台背面，乔伊放纵不羁随心所欲的生活却鲜少有人知道。
离婚后恢复单身的纱和（上户彩饰）在海滨小镇的餐馆打工度日。一个偶然的机会，纱和与北野（斋藤工 饰）再次相遇，约定了不再见面的两人，在四目相对的那一瞬间感情被重新点燃。然而这段禁忌之恋很快被北野的妻子（伊藤步 饰）发现，并与二人产生了激烈的冲突。与此同时，餐厅老板杉崎（平山浩行 饰）的出现，也让四个人的情感走向更加扑朔迷离，一边是复燃的旧情，一边是“永不再相见”的约定，几个主人公的命运再次纠缠在一起。
公司职员李小霞在上班途中，扶起被撞的老太太邬大妈而被诬陷，要求赔偿医药费，百口莫辩默默承担了这一切在小霞筹措医药费期间，患者女儿万燕到公司要钱，小霞的顶头上司刘经理私下诋毁，导致小霞被公司陈总解雇。这一切没有被其男友张亮及张良母谅解，小霞与张亮的爱情也亮起了红灯。李小霞该何去何从？
This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream. Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge... What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent. It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!